Der offizielle Lucio-Fulci-Thread

Neuigkeiten und Diskussionen zu Filmen aus Europa.
Antworten
Benutzeravatar
Joachim Bauer
Beiträge: 7192
Registriert: Mi 20. Jun 2012, 21:12

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Joachim Bauer » Di 26. Feb 2019, 18:45

SvenT hat geschrieben:
Di 26. Feb 2019, 17:58
Jetzt aber mal Hände hoch, wer die Stadt Trebbin kennt! :angel:
:wave:

Und wer sie nicht kennt: Gibt kein Grund, das nachzuholen. :twisted:

Benutzeravatar
Don Kolleone
Beiträge: 3166
Registriert: Do 17. Sep 2015, 08:02
Wohnort: Hodenhagen

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Don Kolleone » Mi 27. Feb 2019, 13:37

Thorsten Hanisch hat geschrieben:
Di 26. Feb 2019, 09:37
Außer Frank Trebbin sind alle begeistert!
FrankDrebin.jpg
Whut!?
Es gibt soviel Mist auf der Welt, ein bißchen weniger schadet nicht. (Sylvio Constable)

Benutzeravatar
Bewitched240
Beiträge: 6862
Registriert: Di 29. Mai 2012, 00:15

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Bewitched240 » Mi 27. Feb 2019, 13:53

Trebbin? Gehen Sie weiter, hier gibt es nichts zu sehn!

Benutzeravatar
Doctor Schnabel
Beiträge: 3010
Registriert: Sa 20. Jan 2018, 15:13
Wohnort: Schweiz
Kontaktdaten:

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Doctor Schnabel » Sa 6. Apr 2019, 18:31

Doctor Schnabel hat geschrieben:Murderock (US Blu)
Dieser Fulci Giallo hat mir besser gefallen als erwartet. 7/10
Zum Film: mix aus Slasher und Giallo. Vor allem Mord Nr. 2 war optisch wunderschön was Bilder, Farbspiel etc. angehen. Da ist es schon wichtig, eine qualitativ schicke Fassung zu haben. Mord Nr. 2. hat in der Tat von der Optik an Bava und Argento erinnert!

Film gefiel mir, auch wenn nicht zu seinen Highlights zählend. Etwas mehr Action, Morde etc. hätte es geben dürfen, aber im Grossen und Ganzen sehr solide. Der Cop war sympathisch gespielt.

US-Blu Ray = hervorragende Bild- und Tonqualität, Englisch/Ital. mit englischen Subs und exklusive Extras gibt es auch. Wird auch von X-Rated kommen (dürfte aber teurer sein).


PS: Die Angst sitzt neben dir ist ein tolles Buch :thumbup:

Benutzeravatar
Doctor Schnabel
Beiträge: 3010
Registriert: Sa 20. Jan 2018, 15:13
Wohnort: Schweiz
Kontaktdaten:

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Doctor Schnabel » Di 9. Apr 2019, 18:31

The Beyond kommt Mitte Mai in England von Shameless auf Blu-Ray raus

beyond uk.png
Shameless proudly presents Lucio Fulci’s THE BEYOND aka ‘L’Aldila’
Format: Blu-ray
Release date: mid-May

When jaded New Yorker (Catriona MacColl) inherits a New Orleans hotel, she calls on composed local doctor (David Warbeck) to contain the inexplicable and increasingly gory accidents that are plaguing the building and its grounds. But soon the Gates of Hell themselves open under the hotel, rendering their fight futile as the dead emerge to walk the earth...

NEW EXTRAS

• ‘Emily’s Eyes’ – an interview with actress Cinzia Monreale with English subtitles.
• ‘Arachnophobia’ – an interview with actor Michele Mirabella with English subtitles.
• ‘Murder, They Wrote’ – a unique interview with scriptwriter Giorgio Mariuzzo on working with Lucio Fulci with English subtitles.
• THE BEYOND prologue four-way comparison, showing: The Standard Sepia + the Original Colour + the B&W version + the new fourth-way: the Yellow-toned sepia version.

ARCHIVE EXTRAS
• Sergio Salvati audio commentary with English subtitles
• Catriona McCall and David Warbeck audio commentary
• Lucio Fulci banter on set (short)
___________________________________________________________

Shameless is proud to present The Beyond, released on Blu-ray for the first time ever with four different versions of the prologue seamlessly branched:

(1) The now accepted tandard sepia
(2) The original colour footage
(3) The B&W version
(4) A new fourth-way: the Yellow-toned sepia version which we’ve created as an addition, after consulting various notes from director of photography (DOP) Sergio Salvatti.

We do not profess that either the original colour, the B&W version, or new gold-yellow toned sepia versions are the correct versions intended by director Lucio Fulci or his DOP. Instead we have presented the film with the four different prologues so fans of Fulci’s masterpiece can see the original colour it was actually shot on, as never seen before, and to show the various stages of the filmmaking process of this landmark film. We’ve also endeavoured for the first time ever to present a rendering of the yellow coloured sepia, which Salvati has referred to on occasions, so that fans can see this as well. We want to give fans the option to see what this may have been designed to look like, and we hope that the striking new additional alternative visuals may enrich the viewing experience.

Even though it would have been a much lower cost to shoot the prologue using B&W (monochrome) stock - and budgets were always tight on productions then - there was deliberate choice by Fulci, Salvati and his team to shoot the ‘prologue’ in colour (panchromatic). This was a clear plan, and the sophisticated photography and the manner in which it is lit, infused by low level contrast lighting such as torch and other warm lights, results in a magnificent cinematographic chiaroscuro. Our assessment is that one doesn’t apply that level of artistry in order to ‘reduce’ the overall vision to flat monochrome – albeit a sepia toned one, where the process is essentially tinting in ‘sepia’ the black part of B&W.

Shooting in colour (film) was much more expensive: there was the much higher cost of colour stock which in turn required more light, since colour film is less sensitive to light, which also added to production costs. Then the developing and the related post production of colour would have been far more expensive than B&W. Therefore since the prologue was shot on colour negative, it was by design and for a specific purpose regardless of the extra expense otherwise it would have been shot with B&W film stock.

Notwithstanding the beauty of the colour in that opening sequence, the decision was taken by Fulci and Salvati to apply a special colour to it during the chemical film processing. Of course there was no digital manipulation then so the effect was achieved using photochemical methods starting with the colour negative they’d shot on. The colour negative was therefore printed and toned in a certain manner to achieve the visual goals set by Fulci and Salvati.

Interviews and texts regarding that creative process indicate that the effect was designed to enhance the highlights of the burning torches, also the car headlights etc. Several references are made where Salvati refers to a ‘yellow’ tint while at other times the more general term ‘sepia’ is used.

We were diligent and fortunate in being able to access the colour footage of the ‘prologue’, which we had scanned in 2K and restored in order to show how visually stunning it is. And from that original colour base, we also created a fourth interpretation, the yellow-gold toned coloured sepia version sometimes referred to by Salvati:

'We filmed in colour, it had great atmosphere but we decided to tint it… It was mine and Lucio's idea... and graded by Luciano Vittori of Studio Vittori. It's such a powerful opening sequence, we removed the colour from the torches to create atmosphere…I opted for the soft yellow, almost golden filter to enhance especially the torches, car lights … and the burnt lime on the painter’s face. What I was trying to recreate was the effect of an old, yellowed photograph, something outside time, establishing a gap between the prologue and the present day as though they were two separate films, divided by an infinite arc of time indicating the Dimension of the Afterwards. I discarded the usual sepia, the colour of memories, since there are no relationships between the characters based on memory; instead, THE BEYOND is a horror which lies outside time and space...'

We followed information (some taken from Salvati’s own commentary featured in the Shameless release*) and reports regarding the colour and also took into consideration the more atmospheric and metaphysical goals, which the filmmakers also say informed their vision of The Beyond.

Our aim was to provide not only all previous versions of the film, but also a further choice for fans: a version where the application of a ‘sepia' or often referred to as 'yellow’ tone is made by using the colour image as a base, instead of a monochrome B&W base.

The result, we think brings a depth in the visuals never seen before while keeping the desired process of making the sequence looking like an old photograph in order to make the prologue appear distant and otherworldly as was originally envisioned by the filmmakers.

*Sergio Salvati from the audio commentary on the Shameless release of THE BEYOND (translated): ‘We filmed it the usual way, in colour, as you always do, because it's better to start with colour rather than black and white… Then I’d discuss it with Lucio Fulci, who was always looking for something more... it had great atmosphere but we decided to tone it. We did it to enhance the car lights, especially the torches which are in various shots, to make them look a bit unusual.’

Quelle: FB

Benutzeravatar
Sylvio Constabel
Beiträge: 16341
Registriert: Mo 11. Jun 2012, 15:34

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Sylvio Constabel » Di 9. Apr 2019, 20:29

Den finde ich ziemlich stulle. Bin raus.
Ist das die mit dem "Babe" aus Deiner Signatur?

Benutzeravatar
Thorsten Hanisch
Moderator
Beiträge: 20044
Registriert: Mo 7. Mai 2012, 20:18
Kontaktdaten:

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Thorsten Hanisch » Mi 10. Apr 2019, 19:36

Find den mega.

Frag mich aber trotzdem, wie viel Discs es denn noch braucht....

Benutzeravatar
Zhang Liao
Beiträge: 471
Registriert: So 18. Mär 2018, 05:25

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Zhang Liao » Fr 12. Apr 2019, 04:51

Früher fand ich den stark. Mittlerweile dürfte es aber wohl etwas abgenommen haben, da sich einfach meine filmische Ausrichtung völlig gewandelt hat. Könnte ihn mir aber schon mal wieder geben, um es zu testen.

Habe ja noch das schicke Tape. 8-)

Angesichts der vielen Veröffentlichungen würde sich hier sicher auch der Kauf einer Billig-DVD anbieten.
Das ist halt wieder der Vorteil bei lächerlich vielen verschiedenen Auflagen: Irgendwann krachen die Preise in den Keller.

Die Frage 'wer soll das denn noch kaufen?' kann man sich ja aber auf dem Filmmarkt generell seit Jahren stellen.

Benutzeravatar
metalsteak80
Beiträge: 1578
Registriert: Mi 7. Mai 2014, 15:09

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von metalsteak80 » So 14. Apr 2019, 05:50

Finde den auch mega. Habe mir reicht das Arrow Steelbook von der BD

Benutzeravatar
Doctor Schnabel
Beiträge: 3010
Registriert: Sa 20. Jan 2018, 15:13
Wohnort: Schweiz
Kontaktdaten:

Re: Der offizielle Lucio-Fulci-Thread

Beitrag von Doctor Schnabel » So 12. Mai 2019, 22:32

Conquest kommt von Code Red (über Ronin Flix und Diabolik) mit neuem HD Scan Master von 2018

Bleibe ich bei der dt. Disc

Coming soon on Blu-Ray, to be sold exclusively at Ronin's website, and diabolik for international, is Lucio Fulci’s cult classic “CONQUEST”. The film will feature a brand new HD scan from 2018, as well as a brand new on-camera interview with the star Jorge Rivero. Also featuring a brand new audio commentary from film historians Troy Howarth and Nathaniel Thompson. The disc will feature not only the original poster art for the cover, but also custom art done by Wes Benscoter and a slip sleeve with the custom art limited to the first 700 units. So keep an eye on this and Ronin’s site for more details!
con 1.jpg
con 2.jpg

Mag die Musik:


Antworten
  • Vergleichbare Themen
    Antworten
    Zugriffe
    Letzter Beitrag