Interviews/Artikel von/mit/über Filmschaffende(n)

Auf der Suche nach der besten Literaturverfilmung oder dem männlichsten Schauspieler?
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SvenT
Beiträge: 6113
Registriert: Sa 12. Mai 2012, 02:09

Beitrag von SvenT » Di 8. Aug 2017, 14:54

Danke! In der Tat richtig, richtig gut.

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Sylvio Constabel
Beiträge: 12738
Registriert: Mo 11. Jun 2012, 15:34

Beitrag von Sylvio Constabel » Sa 2. Sep 2017, 03:53

Ist das die mit dem "Babe" aus Deiner Signatur?

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Sylvio Constabel
Beiträge: 12738
Registriert: Mo 11. Jun 2012, 15:34

Beitrag von Sylvio Constabel » Di 5. Sep 2017, 09:00

Ist das die mit dem "Babe" aus Deiner Signatur?

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Don Kolleone
Beiträge: 2088
Registriert: Do 17. Sep 2015, 08:02
Wohnort: Rheinländer raus!

Beitrag von Don Kolleone » Do 7. Sep 2017, 13:27

Keine Ahnung wohin damit. In der BR-Mediathek gibt's einen halbstündige Radio-Beitrag zur Cinecitta, inkl. a bisserl was über Fellini.

80 Jahre Cinecittà - Was ist aus Italiens Traumfabrik geworden?
Schön bunt isses im Licht und schön düster wenns dunkel ist. (Greebo)

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Sylvio Constabel
Beiträge: 12738
Registriert: Mo 11. Jun 2012, 15:34

Beitrag von Sylvio Constabel » Mo 16. Okt 2017, 10:16

Ist das die mit dem "Babe" aus Deiner Signatur?


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Frau Stockl
Beiträge: 2960
Registriert: Di 25. Sep 2012, 09:44

Beitrag von Frau Stockl » Mi 3. Jan 2018, 01:50

Without false modesty, I think i would have been considerably better in ROSEMARYS BABY than Cassavetes. (Robert Wagner.)

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Julio Sacchi
Beiträge: 20971
Registriert: Do 10. Mai 2012, 17:52

Beitrag von Julio Sacchi » Mi 3. Jan 2018, 10:30

WOT

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Sylvio Constabel
Beiträge: 12738
Registriert: Mo 11. Jun 2012, 15:34

Beitrag von Sylvio Constabel » Do 4. Jan 2018, 04:35

Ja, schon ziemlich fies zusammengewürfelt und recht schwierig zu lesen.
Ist das die mit dem "Babe" aus Deiner Signatur?

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Frau Stockl
Beiträge: 2960
Registriert: Di 25. Sep 2012, 09:44

Beitrag von Frau Stockl » Sa 13. Jan 2018, 23:45

Nicht der neueste Text.
Kannte aber noch nicht.

“A Snake Pit Gig”: The Making (and Undoing) of Abel Ferrara’s “Cat Chaser”

Auszug:
JIM BORRELLI:

I was hearing through Weller that there was a lot of discord on the set between him and McGillis. Although [everyone] thought the chemistry would be great between the two of them, they were like oil and water. It just did not work. Abel was basically refereeing. They were bickering back and forth. Really bad tension.

GLEN TROTINER:

Peter is a method actor. He’s in character all the time. And Kelly doesn’t work that way. Also, I’m not quite sure that they even liked each other. I do not remember them doing particularly well together.

PETER WELLER:

I don’t know any more about Kelly McGillis than I do about this leaf I’m looking at now in my backyard. She was a good actress, but I don’t know what her deal was. She was really distant. She was just sort of not necessarily—I don’t wanna say not friendly with me, because then again maybe I wasn’t friendly with her, either. I thought she was great in the movie, though.

ABEL FERRARA:

She just came in with a hurricane of attitude. She didn’t know me, she didn’t know Peter, you dig? Whether [or not] we battled on the fucking set…I don’t pay attention to shit like that. What happens on the set between the actors and the director should stay in-house.

I know she had negative things to say about me [later on]. And I probably was…whatever. But I thought she was great. And I apologize to her for whatever she thinks I did against her.

ANTHONY RICHMOND:

We did prep in Miami and then closed down, I think, for two weeks over Christmas. And during the Christmas break, Kelly had a tit job done. She had a perfectly nice body before Christmas and she came back with ginormous tits. And Abel and I just looked at each other, you know, “What are we gonna do?!”
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Without false modesty, I think i would have been considerably better in ROSEMARYS BABY than Cassavetes. (Robert Wagner.)

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