2001: Odyssee im Weltraum

[Sylvio Constabel]

Warum sollte man den Pupsfilm überhaupt zweimal sehen?

[Thorsten Hanisch]

Sprach's und orderte fünf Minuten später DIE MUMIE.....nuff said

Was ich bei dem Gewese um Nolans Version so seltsam finde: Er kriegt zwar ohne Ende Dresche dafür und überall ist zu lesen, dass "Kubrick garantiert nicht gewollt hätte, dass sein Film so aussieht"; es ist aber nicht so, dass Nolans da alleine nach Lust und Laune dran rumgespielt hat, sondern auch diverse Leute aus dem Kubrick (inkl. Aufzeichnungen des Meisters selbst) ihren Anteil dran hatten. Und ich finde, wenn die auch einverstanden sind, dann wird's wohl okay sein, oder?

[Sylvio Constabel]

Eher nicht. Pissbeckenstein trifft's recht gut.

[Thorsten Hanisch]

Warum redest Du eigentlich mit? Du findest den Film doch eh kacke, da nicht krach-bumm?

[Frau Stockl]

Der neue Look ist übrigens 2x Filter "Valencia" + 1x "Kindheit".

[Thorsten Hanisch]

'2001: A Space Odyssey' 4K Blu-ray Review - A Monolithic Achievement

The restoration has been undertaken with the express desire of using today’s technologies to deliver Stanley Kubrick’s vision rather than radically recreating the look of the film for modern digital sensibilities (as some remasters do). More than six months was spent simply cleaning up the original 50 year old negative, before a print was run from the restored negative using the color timing explained in documentation created with the film’s original master.

[Bewitched240]

[Don Kolleone]

Hab den Film nu oft genug gesehen, auch von der Rolle, und wüsste nicht, was es an der Nolan-Version auszusetzen gäbe. Selbst die olle Warner-DVD (mit dem Papp-Cover) hat den gleichen, "klassischen" Look.

[Thorsten Hanisch]

For months, there's been a lot of concern that Christopher Nolan would somehow screw things up, mainly because modern day Hollywood has a tendency to blanket everything in teal and orange and Nolan's filmography has never been noted for having deep and inky blacks. YouTube trailers eventually confirmed that the color timing for this release was indeed different, so naturally, everyone was in a tizzy.

I mentioned something similar in my Halloween ('78) review a couple of months ago, but one thing people fail to understand is that the color timing they've grown accustomed to on television and home video over the years is, in many cases, not as accurate as they'd like to think. So while the color timing is different compared to what we've been watching for years, this newly restorative effort has been timed directly against 2001's original release. It really can't get much better unless Stanley Kubrick himself were alive to provide direct input. In his absence however, Leon Vitali, who worked closely with the famed director, is the next best thing.

Review

[Sylvio Constabel]

Hauptsache Scheiße gut reden, nur damit man sich nicht eingestehen muß, Geld verbrannt zu haben.